River Pierce Foundation announces free event featuring acclaimed artist Tim Gonchoroff and archaeologist Edward Gonzalez-Tennant

San Ygnacio, TX. –  As part of its continuing programming supported by the Mellon Foundations Humanities in Place Grant, the River Pierce Foundation presents Split Sketches, a site-specific exhibition and installation by artist Tim Gonchoroff taking place Saturday, January 24 from 1:00 to 5:00 p.m. at the Trevino-Uribe Fort t 604 Trevino St. in San Ygnacio.

The event includes lunch, and a film screening, presentation, and panel discussion featuring archaeologist Edward Gonzalez-Tennant.

Tim Gonchoroff is a fiber and mixed media artist originally from Appalachian Virginia. His work focuses on traditional crafting processes inclusive of natural dyeing, weaving, carpentry, and many others as a conduit for investigating and documenting particular elements in environments that are products of anthropogenic ecology.

Gonchoroff’s work has been exhibited at spaces including the Joshua Tree Art Gallery, Joshua Tree, CA; Small Projects, Tromsø, Norway; Kunsthalle am Hamburger Platz, Berlin; and Fosdick-Nelson Gallery, Alfred, NY. He is an assistant professor of sculpture at University of Texas-Rio Grande Valley. Gonchroff’s exhibit and installation will include functional sculptures and immersive spaces that delicately engage with the historic 19th-century architecture of the Trevino-Uribe Fort.

Edward Gonzalez-Tennant is an assistant rofessor of historical archaeology in the Department of Anthropology at Texas State University. His work utilizes geographic information systems, 3D modeling, geophysics, and remote sensing to address complex social issues including the intersections between power and violence in the past and present as well as the ways landscape and memory work to celebrate certain histories while erasing or otherwise obfuscating others. He regularly partners with descendant communities, their allies, and the public as part of his practice. The event is free and open to the public and is supported by the Mellon Foundation. To RSVP to this free event please visit riverpierce.org or scan the QR code.

Telissa Molano on the Laredo Cultural District

I interviewed Telissa Molano, co-founder of the Laredo Cultural District (LCD). The Texas Commission on the Arts officially designated the LCD as the 50th cultural district in Texas in 2021. 

Since its beginnings, LCD has tracked an impressive, inclusive, doors-wide open home for the arts at historic Casa Ortiz. Events there include exhibits, orchestra and chorale events by Laredo and Nuevo Laredo performers, screenings of classic Mexican films, cultural commemorations of important days in Mexican history, vendor markets, art and culinary workshops, and workshops for writers and poets.

Casa Ortiz is the starting point for Caminarte, the art walk on the evening of the first Friday of the month.

Jorge Santana (JS): What is the Laredo Cultural District? 

Telissa Molano (TM): It is a gathering place — a mix of culture, heritage, and everyday joy woven into the fabric of our city. It gives you places to walk, celebrate, learn, and feel proud of where you live.

To the artist, it is a place that supports your work, showcases your talent, and connects you with opportunities, collaborators, and audiences. It’s a community that believes in what you create and wants you to thrive here.

To the visitor, it is an invitation to experience the real Laredo through its history, its creativity, its people. It’s where you can walk, explore, hear music, see art, and feel the character of the city in a way you cannot from your car.

To the entrepreneur, it is an economic engine that creates more foot traffic, more visibility, and a more vibrant environment for customers. A lively arts community makes downtown safer, busier, and more appealing for investment, dining, retail, and entrepreneurship.

JS: What is Caminarte; who is part of it, and who can join? 

TM: Caminarte is our monthly arts walk, an in-person celebration where artists, performers, makers, and the community come together to activate the historic downtown streets with creativity. It’s less an event and more a ritual of cultural energy from gallery openings, live music, artisan vendors, food, performances, film screenings, and the spontaneous encounters that only happen when people gather around art.

Anyone can join — artists, performers, vendors, cultural groups, and community members are all invited to participate and shape the experience. Anyone and everyone can experience it in person.

JS: When did Casa Ortiz become a part of LCD? 

TM: In Spring 2021 historic Casa Ortiz, which is owned by Webb County, was leased to the Laredo Cultural District. From that moment, LCD gained a place for exhibitions, events, cultural programming, community-driven art, and heritage activities under the LCD’s stewardship.

JS: What is your vision of LCD? 

TM: It is both a responsibility and a part of who I have become. It’s a place where we can collectively nurture the creative heartbeat of the community I have come to love. It honors those who built Laredo, those who were born here, and those who now choose to make it home. It’s where I feel most connected to a place where I once was an outsider. Being part of the LCD gives me the chance to build something lasting, to open doors for others, and to champion the voices and talents that this community has built.

JS: What do you see for Caminarte in the future? 

TM: I imagine it growing into something even more alive and expansive. I see it stretching across more of downtown, with new venues, arts-focused shops, curated markets, and restaurants spilling out into the streets. I picture live music drifting from the San Agustín bandstand or the balcony of the Tack Room, creating this unforgettable backdrop as thousands (not just hundreds) come out each month to experience.             Caminarte becomes the spark that carries into Second Saturday afternoons and Third Thursday evenings, turning downtown into a steady, ongoing celebration of art, culture, and community. It’s the kind of rhythm we would all love to see Laredo grow into.

JS: Where do you see Casa Ortiz in the future, and what is LCD doing to protect this historic landmark? 

TM: I see Casa Ortiz becoming an even stronger cultural anchor as a fully activated district where art, heritage, education, and community life happen daily. We see exhibitions, outdoor gatherings, workshops, film nights, and partnerships that bring continued visibility to our border culture. Alongside other venues, Casa Ortiz can help create a powerful cultural constellation downtown.

LCD is committed to protecting Casa Ortiz by keeping it open and preserving its history. We bring in fresh creative energy through ongoing programming, historic restoration, strong partnerships, and continued advocacy for funding.

JS: The art scene in Laredo is growing. What does it need to go beyond? 

TM: You can sense its growth in every Caminarte for the past four years. To truly go beyond, our community needs sustained support including more creative spaces, more funding, more visibility, and more opportunities for artists to thrive here.

We envision a Laredo in which art is continually woven into the everyday fabric of the city. With deeper investment, stronger collaboration, and continued belief in our local talent, Laredo’s arts community can evolve into something even more powerful.

JS: Why is art important in a city like Laredo? 

TM: It helps us see ourselves through our identity, history, struggles, and beauty. This is a city that began as an outpost on the frontier, lived under seven flags, and evolved into the nation’s busiest land port as a powerhouse of trade and commerce. We have to give people the opportunity to stay and enjoy, not to just drive through.

Government investment in the arts matters because it’s an investment in everyday quality of life. For someone living day-to-day, it’s not always about big museums or fancy events. It starts with having places where your kids can dance or draw, where you feel safe and welcome, where you can see your culture reflected back to you, and where you can enjoy something beautiful without spending a dollar. When our city supports the arts, it supports its people.

JS: Retail is leaving downtown. Do you see art venues as a replacement? 

TM: To make downtown truly sustainable and viable, we need to layer in more than just the arts. We need a full ecosystem of uses that support one another. Arts and culture can be the spark, but they thrive best when paired with housing for all ages, cafes, boutiques, education partnerships, and creative industries that bring people downtown throughout the day and into the evening. It’s not enough to talk about solutions or rely on brain power alone. At some point, we all have to roll up our sleeves and commit to the work ourselves.

Coming from Kansas City along this same I-35 corridor (another city with a sister-city relationship), I saw firsthand how revitalization depends on people choosing to remain vigilant, invested, and present in the hearts of their communities. When we combine arts, community, and intentional reinvestment, historic districts like ours gain new purpose, momentum, and long-term investment.

JS: What do you love about Laredo, and what are its challenges? 

TM: I love Laredo’s authenticity and how history, culture, and people blend so naturally; our borderland identity; the mix of languages and stories; our resilience; and the creative energy here. People can be passionately critical of Laredo, but there’s also a deep, unwavering love for this place.

We have challenges. The arts, preservation, and public spaces are underfunded. We’re often seen as “just a port,” though we’re much more. Downtown is still figuring out its next chapter, and creative talent sometimes feels it has to leave to grow. Our responsibility is to close the gap between Laredo’s potential and what people actually experience. Our cultural identity needs to stand alongside our economic strength.

If all you see in a city is the same malls and chain restaurants you find off the highway, how do you tell it apart? 

All 95 blocks of downtown tells that story.

Downtown struggled when retail moved north, cross-border tourism slowed, and investment followed the suburbs. Revitalizing it is complex with aging buildings, hundreds of owners, and no single department charged with its future. Revitalization is a long-term commitment, coordination, and resources that have recently gone to trade and infrastructure. Arts and culture are often been seen as optional, though they are what give a city its soul.

We can shift that mindset. Downtown can come back through intentional investment in the arts, preservation, and a shared vision that outlives any single project or administration. We’re not missing talent. It is alignment. When everyone moves in the same direction, real transformation begins. That’s where the Cultural District comes in. We’re here to connect the dots, support the organizations already doing incredible work, and keep the momentum moving upward.

(Jorge Santana is a writer and an advocate for culture and the arts in all their iterations in Laredo and Nuevo Laredo.)

“Charming and Clever:” LTGI’s Winter Production of Neil Simon’s The Good Doctor

On a cold December evening, the wind whips my face as I enter the Laredo College Shoebox Theater. Greeted by the cast and crew, a balloon-making clown, caviar, and beet ginger ale mules meant to invoke the feel of a true Russian winter, audience members congregate in the lobby in preparation for the Laredo Theater Guild International’s opening performance of Neil Simon’s The Good Doctor. 

Inspired by Anton Chekov’s collection of short stories, the play follows the narration of a character known as ‘The Writer,’ through his storytelling of 9 separate vignettes, meant to illustrate the writing process and storytelling development of the novel The Writer is aiming to complete. 

Through humor and, often, complete absurdity, Simon explores the universality of the human condition, connecting with the audience through the relatability of character experiences in each sketch. After all, who has not gone through the woes of courtship, the pangs of missed opportunity, and the relief of inheriting 5,000 rubles? 

Aside from the narrative's ability to resonate with the audience, the production’s strength lies in its cast members. Throughout the nine short plays, the versatility of each actor is put to the test as they don new costumes and personas, each unattached to any prior or upcoming plotline. 

As vignettes transition, the audience is never acquainted with the same characters twice. Each actor’s ability to convincingly execute their character’s identities and motivations within the limited time frame provided for each vignette was a remarkable feat, illustrating the precise mix of talent and work ethic it takes to land a believable scene. Despite slight recognition of faces from previous acts, the transformation of each actor in the intimate cast is a breath of fresh air welcoming in new perspectives and opportunities for reaching the audience. 

By the end of the production, it’s clear that LTGI has succeeded, once again, in creating an engaging and compelling theatrical landscape, utilizing and providing ample opportunity to showcase the talent it sources from within the Laredo community. 

While the run for The Good Doctor has ceased, auditions for the upcoming production, The Last Five Years, will run from January 17 and 18 at the Shoebox Theater, with a planned show run from March 12 to March 22.

River Pierce Foundation announces Soy el Rio exhibition and performance by acclaimed Mexican artist Dragustinovis; Dec. 20, Treviño-Uribe Fort in San Ygnacio

As part of its continuing programming supported by the Mellon Foundation’s Humanities in Place Grant, the River Pierce Foundation presents Soy el Rio, an Exhibition and Performance by Matamoros-based artist Javier Dragustinovis on Saturday, December 20, from 12:30-6:00 p.m. at the Trevino-Uribe Fort in San Ygnacio.

Dragustinovis is a multidisciplinary artist and curator at Museo de Arte Contemporáneo de Tamaulipas (MACT) in Matamoros, Mexico. His work addresses themes of migration, labor, and community collaboration, and has been exhibited at spaces including Shedhalle Zurich and La Cápsula in Switzerland; the National Museum of World Cultures; the Museum of Contemporary Art of Tamaulipas in Mexico; the Hyde Park Art Center; the San Benito Cultural Heritage Museum, and the International Museum of Art and Science in McAllen.

He directed the films A Par del Río (2020) and An Architecture for the North (2022). He co-authored the book I Am More Than My Hands: The Different Worlds of Women in the Maquiladora (Friedrich Ebert Foundation, 2001).

His exhibit in San Ygnacio will include drawing, photography, installation, video, and interactive performance. The event will also feature a free screening of Michael Tracy’s documentary Culture, Water, and Money: The Passion of the Frontier (1997). The screening will be followed by a panel discussion featuring Dragustinovis and Trevino-Uribe Fort architectural conservator Frank Briscoe.

An interactive performance by Dragustinovis will take place directly after the panel discussion. Dragustinovis will lead participants in a procession to the river where the performance will take place. An artist mixer will take place following the performance. The event is free and open to the public and is supported by the Mellon Foundation. For more information, please visit riverpierce.org or call (956) 765-5784

Two-day celebration of prayer, dance, and music honors Feast Day of the Virgen de Guadalupe at Our Lady of Guadalupe Church Dec. 11 - 12

In honor of the Virgen de Guadalupe, Rev. Leszek J. Waclawik, Deacon Juan Zamarripa, parishioners of Our Lady of Guadalupe Church, and Matachines del Sagrado Corazón will lead a procession Thursday, Dec. 11 at 6:30 p.m. from the Scott Street Park to the Church at 1718 San Jorge.

The procession, which marks the beginning of a two-day commemoration of the Feast Day of the Virgen de Guadalupe (Dec. 12, 1531), and all other events are open to the public.

Thursday evening’s events include a youth group play, a Novena, another performance by the Matachines del Sagrado Corazón, Misa Vispera, and performances by Matachines Danza Guadalupana and Matachines Asencion.

The attached schedule provides details for the events for both days. Friday, Dec. 12, begins with a performance by Mariachi Arrieros prior to Midnight Mass celebrated by Bishop James A. Tamayo. Other events of the day include a recitation of the Rosary, the Procession of the Silver Rose by the Knights of Columbus, morning Mass, a performance by Danza Patrona de America, a performance by Los Arcos Hermanos Peña, a performance by Matachines Reyna del Tepeyac, evening Mass, and a performance by Matachines Danza Guadalupana de Zapata.

Food sales include over 200 dozen tamales prepared by the Guadalupanas, which will be sold at $13 a dozen.

 TAMIU students invited to participate in City visual arts, writing contest

An upcoming art and writing contest asks Texas A&M International University (TAMIU) students to submit their visual design, artwork and written work.

The TAMIU Student Public Art Contest is currently underway. Artists can make their submissions at https://www.laredolibrary.org/tamiu-public-arts-contest-submission-form-fy26/

The contest is made possible through the City of Laredo Public Arts Project.

All mediums are welcome. Students are welcome to submit multiple artworks barring submissions are combined into one single file with each piece on separate pages and the title of each piece clearly labeled.

The deadline for submissions is Sunday, Dec. 7 at 11:59 p.m.

Selected projects may receive a cash prize award.

Learn more about the City of Laredo Public Arts Program at https://www.laredolibrary.org/public-arts-program/

For more information, contact Vanessa C. Filazzola, City of Laredo public arts program manager, at vcfilazzol@ci.laredo.tx.us

Laredo Philharmonic presents Sounds of the Season Sun., Dec 7

The Laredo Philharmonic presents Sounds of the Season Sunday, Dec. 7 at the LISD Performing Arts Complex (former Civic Center). The concert will include standards of the season, as well as new works.

The Laredo Philharmonic Chorale, in collaboration with choirs from Alexander and United high schools., as well as singers from LISD, TAMIU and LC will have 140 voices join the orchestra in performing Merry Christmas, Merry Christmasby John Williams from the movie Home Alone 2. 

This will be followed by the world premiere of Robert Nelson's Los Pastores, sung in Spanish and narrated by Goyo Lopez from KHOY, with the composer in the audience. 

Before intermission, the orchestra will delight audiences with The Nutcracker Suite by Tchaikovsky. 

The second half begins with orchestral favorites, Christmas at the Movies, Chestnuts Roasting on an Open Fire, and A Most Wonderful Christmas before being joined by the Chorale and audience for Sing Along Carols of the time honored favorites of the Christmas Season.  

Tickets are $30, and students are admitted free with their school ID. Tickets can be purchased at https://laredophilharmonic.com/

by clicking the Sounds of the Season icon, which has a link to Eventbrite at the bottom of the page, or by using the QR code on the poster below.  Please note, that the LISD PAC has a strict Clear Bag Policy that is enforced. 

"The Woman Under the Water & Other Stories," exhibit by San Antonio artist Sarah Fox opens

An exhibition of the narrative works of San Antonio artist Sarah Fox opens Friday, Dec. 5 at the Laredo Center for the Arts.

Entitled Woman Under the Water & Other Stories, the exhibit depicts stories of life, loss, sex and love carried by archetypal beings that subvert and challenge normative notions of femininity. Fox’s imagery draws from folklore, religion, film, pop culture, erotic art, and literature to reveal feminist counter-narratives.

Sarah Fox was raised in Houston and currently resides and works in San Antonio. She teaches at Texas A&M University-San Antonio. She earned a BA from Southwestern University in Georgetown, Texas, where she studied studio art and feminist theory, and an MFA from the University of Texas-San Antonio.

Fox’s work has been shown throughout Texas, as well as in the Kinsey Institute (Bloomington, Indiana), Field Projects Gallery (New York, New York), Espacio Dörffi (Lanzarote, Canary Islands), Casa Lu (Mexico City), and Darmstädter Sezession, (Darmstadt, Germany). She has participated in artist residencies throughout the U.S. including The Vermont Studio Center, The Women’s Studio Workshop, Wassiac Projects, and residencies abroad at Casa Lu in Mexico City, Residencia Nautilus in the Canary Islands, Atelierhaus Hilmsen in Hilmsen, Germany, and Künstlerhaus Bethanien in Berlin. She received an Individual Artist Grant from the City of San Antonio in 2021.

The community is invited to the opening reception December 5 at 6:00 p.m. at Laredo Center for the Arts, 500 San Agustin Ave. Regular Center hours are Tuesday by appointment only, Wednesday through Friday from 12:00 p.m. to 6:00 p.m., and Saturday from 11:00 a.m. to 5:00 p.m. For more information, please call (956) 710-2084.

Sarah Fox, You Are Not Alone, 48" x 72", 2025, 
Ink, Acrylic, Oil, and Embroidery on Cotton and Linen

Remember the Laredo Film Society on Giving Tuesday, Dec. 2   

The Laredo Film Society (LFS) will be participating in Giving Tuesday this year on December 2.

Giving Tuesday is a global day dedicated to generosity, and the LFS is using the occasion to rally support for the programs, screenings, workshops, and community spaces LFS works hard to bring to Laredo.

Every contribution helps to continue building a creative, vibrant film culture in our city.

If you’d like to support the work of the LFS, donate anytime — today, on Giving Tuesday, or whenever it feels right. Every dollar truly helps keep the projectors rolling and the community growing.

Make a contribution here:
https://www.laredofilm.org/donate?form=GIVINGTUESDAY2025

LFS thanks you for being part of the LFS family and believing in what film can do for Laredo.

River Pierce Foundation presents flamenco guitarist Goryachev  Sat., Dec. 6, at Treviño-Uribe Fort

The River Pierce Foundation presents a Flamenco Guitar Concert featuring Grisha Goryachev on Sat., Dec. 6 at the Treviño-Uribe Fort, which is located at 604 Treviño in San Ygnacio. Doors will open at 4 p.m. The concert will begin at 5 p.m.

The outdoor concert under the stars at the historic fort is free and open to the public. We ask that everyone RSVP to this one-of-a-kind outdoor musical event. Limited seating is available on a first come, first served basis.

Cell phone use will be strictly prohibited. No photos, recording, or live streaming will be allowed during the concert. Photos will only be allowed after the concert.

In the event of inclement weather, the concert will be moved to the Henry M. Martinez Community Center located at 24 FM 3169.