LC’s FlamencoFest brings the fire of Spain to Gateway City

by Joana Santillana

(See more details in the recent issue of Tragaluz)

FROM OUR LATEST ISSUE

Sandra Valls: “People who offer kind words about my work may not know they are encouraging me with a blessing – échale”

By María Eugenia Guerra

There were markers all along that eight-year-old Melissa Barrera would enrich the lives of others in characters she would bring to life onstage

By María Eugenia Guerra

Sunrise, heartbeat, atomic flash: a review of RED on Iturbide

By Xiomarra Milann

Seeing RED: a discussion with producer Katelyn Kahn

By Xiomarra Milann

Cesariván Gaitanos: the art of making theatre against the odds

By Seyde García

Ryan Duncan-Ayala: company manager of Berkeley Repertory Theatre

By Sean Jimenez

Oscar Liendo Jr.: clowning around; a funny thing happened on the way to the circus

By Mario E. Martinez

Singing her praises: a conversation with vocal coach Paulina De Leon

By Xiomarra Milann

Jesse Shaw and George Washington Jr.: a drastic bifurcation of ego and alter-ego in a passionate common purpose

By Hannah Frey

Director Alfonso Gómez-Rejón less concerned with legacy than with continuing to evolve

By Rebekah Rodriguez

Tres Tekuanis: an online oasis of image, music, and poetry offered with depth, grace, and tenderness

By María Eugenia Guerra

Clark Moore: despite spending more than two decades working in the entertainment industry, he still calls Laredo home

By Enrique Fiscal

By artists, for artists: a look at Tu Casa Gráfica and LC4A’s Third Space

By Xiomarra Milann

Jorge Santana: a life in poetry, a city in motion

By Xiomarra Milann

Author Dan Clouse’s homecoming at the Laredo Center for the Arts

By María Eugenia Guerra

Moments that Shape Us: celebrating the 23rd Annual Laredo Poetry Festival

By Xiomarra Milann

Barbara Cigarroa’s El Otro Lado to be developed as an independent feature film

By María Eugenia Guerra

Feminist writer, actor, director Scarlet Moreno centers the female experience in unexpected, creative ways

By María Eugenia Guerra

Carlos E. Flores on The Southern Front: the border’s lived reality – a moment less like history and more like a warning echo

By Jorge Santana

Karen Gaytan: cinema is about determination, resilience, teaching, holding space, and listening

By Seyde García

An interview with screen writer and producer Alejandro Montoya Marin

By Cliffe Killam

Diego Martinez: an emerging disruptive voice in Laredo’s film scene

By Enrique Fiscal

Isaac Garza’s The Son Who Can’t Play Trumpet: a father’s repressed desire to learn the trumpet

By Armando X. López

Diabetic Jesus: a thesis film by Raul Seca Jr.

By Sean Jimenez

Julio César Ruiz: a delusional optimist’s journey to the screen

By Mario E. Martinez

Instinct and ganas: Dyana Ortelli’s path from Lupe in Seinfeld to the voice of Tía Victoria in Coco

By Margarita Araiza

May 16 laser spectacular, a nod to Laredo on its 271st birthday

By Tragaluz Staff

Actor Jullia Vera: “I’m very happy with the results of my life.”

By Rebekah Rodriguez

Gustavo Alonso Gómez: his path as an actor was shaped growing up between two worlds

By Enrique Fiscal

Minerva García: “journeyman” actors are a vital part of telling stories

By María Eugenia Guerra

Raul Casso: an improbable dream, never abandoned

By Mario E. Martinez

Esther Tovar's Bolero Concert

By Tragaluz Staff

Basket Weaving Workshop with Sarita Westrup

By Tragaluz Staff

Poetry Under the Sundial

By Tragaluz Staff

A Program of Daphne Art Foundation